Visual analysis of The Merode Altarpiece Essay Example | Topics and Well Written Essays - 750 words

Visual analysis of The Merode Altarpiece - Essay ExampleThe Merode Altarpiece is a painting by Renaissance artist Robert Campin whose creation time is virtually 1427 to 1432. The painting was created in Tournai in the Netherlands, which is the artists place of origin but it is currently on display at the Metropolitan Museum in the fall in States (The Metropolitan Museum of Art). The painting is divided into three panels the main panel shows the moment just before the annunciation of Mary. She is sitting on the floor reading a bible and is looking down. To her left is an angel she is not aware of, with an oval table separating them. A small figure of Jesus is flying towards Mary belongings a crucifix. The right panel has Saint Joseph in a carpentry workshop where he is making mousetraps with a townscape appearing behind him in an give way window. The right panel has two figures, assumingly the commissi unitaryrs of the painting, called the donors waiting to go inside an open door (Barnet, Peter, & Nancy 125). This painting also goes by the name The Annunciation, which is an event in the Christian Holy Bible in which a virgin by the name of Mary receives the news of her appointment to be the earthly mother of deitys son, Jesus.An angel from heaven visits her while she is at home and gives her the good news. The name itself also hints one on the purpose of the painting Christian believers or cathedrals for devotional and aesthetic purposes commissioned altarpieces. It is therefore a religious artwork. The artist captures the human figures and specifically their faces with their expressions on, making the artwork more of a combination of portraits to bring in a composition. However, there are outdoor scenes appearing from the openings and windows in the backgrounds depicting cityscapes. The work therefore combines both landscape and portraiture although the portraiture aspect seems to triumph more. According to the Metropolitan Museum, The Merode Altarpiece m easures 64.5 cm in length by 117.8 cm as an overall painting with a main panel of dimensions 64.1cm by 63.2 cm, and two identical side panels measuring 64.5cm by 27.3cm each. The width of the painting is slightly below two times the height therefore creating a angulate (landscape) orientation of the work. The artist employs much use of rectangles, squares, and straight lines in vertical or horizontal movements that harmoniously blend in with the shape of the frame. For instance, in the gist panel where the figures are in a room and the wall and ceiling lines originate from the background and come to meet the frame, creating a view as if one is peering through a window or the wall is missing (Nici 243). The frames merge with most of the shapes rather than disagree with or break them. The Merode Altarpiece is oil on Oakwood. The style of creating workspace and framing is popular as panel art. Panel art is a technique of creating frames in the renaissance period where artists had car penters make them wooden panels cover with cloth and plastered with gesso paste to create a smooth painting surface (DElia 19). The work is done in oil paints, which is another option of most renaissance artists. During the renaissance period, the use of tempera colors was becoming unpopular as artists discovered that oil